Desirée Solenberger investigates new media between body and 3D

Artist works on the relationship between movement, typography and digital environments in the context of contemporary design.

Design//The New Layout
by Caíque Nucci
April, 2026

The practice of Desirée Solenberger is organized based on a direct question: how movement can be translated into visual language. His works operate between typography, image and interaction, with the body as a constant reference. Dance appears as a structure, guiding rhythm and repetition within graphic systems.

This starting point unfolds in a process that avoids rigid separations between physical and digital. Instead of starting directly from the canvas, the artist introduces gestures, distortions, and material interferences. The error is not corrected, it is incorporated as part of the visual system.

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In recent works, three-dimensional forms observed in fashion are shifted to the typographic field. There is physical manipulation, followed by digital translation. The result does not seek precision. The image maintains tension, with noises, deformations and visible instability.

This type of approach is part of a wider field of new media, where technology ceases to operate only as a tool. The interest now lies in the language that emerges from this encounter. Interface, image, and motion begin to operate on the same plane.

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In the work of Desirée there's no attempt to close it. The projects remain open, close to a test state. More than solving, the artist activates systems, allowing them to move between body, image, and code.

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