Light and space in continuous dialogue.
In the work Geometric Frequency (2023), Christian Wloch investigates the limits of sensory perception. Composed of acrylic, crystal, wood and a sound device, the installation proposes a reflection on space as a vibrational field - where light and sound operate as forms of presence and expansion.
Exhibited at SP-Arte 2025 by the SteinArt Contemporanea gallery, the piece invites the spectator to enter into a state of listening and deep observation. Geometric shapes are not imposed; they reveal themselves gradually, as the body moves and the sound frequency acts on the environment.
Since the 2000s, Wloch has been developing research that articulates art, science and consciousness. With training in visual arts, multimedia and psychology, her work is based on the idea that reality is structured by fields of information. Art, in this context, becomes a tool for accessing subtle dimensions - not illustrating, but exposing structures that normally escape the eye.
The work suggests an expanded time, where artistic gesture is a means to inhabit the invisible. Wloch doesn't seek to create spectacles — he builds experiences that silently transform.
