Each work by Smigla-Bobinski is an in-depth exploration of the interactions between human beings and technology, often challenging the boundaries of control and understanding.
The interactive installation “ADA”, by renowned open media artist Karina Smigla-Bobinski, challenges perception and control, providing a unique artistic experience. This transparent globe, filled with helium and studded with coals, seems to take on a life of its own when drawing the environment around it. Like a floating membrane, ADA interacts with space in an unpredictable and captivating way.
Moved by public interaction, the sphere is practically uncontrollable, leaving traces of charcoal that create an ephemeral and indecipherable design. Not even the artist herself can predict or interpret the patterns that emerge. This unpredictability places ADA at the confluence between art, biotechnology and computing, making the work a truly unique experience.
Since its inception, ADA has enchanted audiences in several countries, including France and the United States. Its ability to integrate human participation in such an organic and unpredictable way is what makes installation a centerpiece in Karina Smigla-Bobinski's career.
Karina Smigla-Bobinski is a multifaceted artist who works on a wide range of projects that transition between science, intuition, expression and cognition. His portfolio ranges from paintings and artistic interventions to kinetic sculptures, interactive installations, mixed reality objects, and multimedia physical theater performances.
Each work by Smigla-Bobinski is an in-depth exploration of the interactions between human beings and technology, often challenging the boundaries of control and understanding. ADA is a perfect example of this approach, where art becomes a collaborative and unpredictable experience, reflecting the complexity and beauty of human interaction with the world around them.
