SPFW N59: À La Garçonne

With the continuous thread of tailoring in single tones, À La Garçonne returns to the SPFW runway like someone weaving silence amid noise. Fábio Souza stitches time into ample forms, where trousers dance with the wind and blazers trace the geometry of the shoulders with intent.

Check, in its variations of whispers and shouts, spills from the almost timid small scale to the grand and multicoloured, like stained glass in movement. There is a calculated gesture of freedom in the lines, a listening to the body in its plurality. Tailoring, here, is also language: and monochrome a way of speaking without shouting. Every piece is a tense pause, an interrupted sentence. An idea of contained strength, of presence without noise.

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See the main highlights of the show in the augmented reality experience below

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For them, long dresses that trace the gesture of the waist like someone who knows what she holds. For the men, daily life gains new breath in jackets, shorts and sweatshirts, translated into bands of the same check that unfolds into rhythms. Everything is inscribed on the body as the map of a hybrid, urban, pulsing territory. It is a collection that  presents itself in the verb to wear, but does not surrender to the obvious. À La Garçonne, in its new breath, does not seek only to dress, it insinuates. It reinvents itself without fanfare, marking its return like someone coming home after seeing the world.

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