SPFW N59: LED

LED dances with the memory of free-to-air television, stitching skeins of remembrance and invention.

Sarah Rocksane Araujo

Words by Sarah Rocksane Araujo

Editorial, Fashion and Beauty

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On the runway there are not only characters, there are myths of a reinvented Brazil, bodies that wear many voices, weaves of a country drawn in the space between the classic and pop delirium.

LED embroiders identity with a firm line: stripes that follow no script, prints that flicker like old screens. The ordinary becomes scene, excess becomes affection. Between leopard tulle and polka dots that were once heroines and villains, the fabrics narrate the country we watched being invented. Television, that old friend, lights in the clothes the reflection of a people who do not bend  (they bend only to laugh, to dance, to wear who they are). And there is crochet, there is linen, there are jeans that risk becoming a pinstripe. LED raises an aesthetics of contained excess, of expanded affection, of memory that shines. In partnership with CÍRCULO, crochet becomes an experimental protagonist, rebellious and delicate.

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Zé Takahashi/ Gustavo Scatena / Marcelo Soubhia / @agfotosite

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The Kindle, in an unprecedented gesture, becomes pocket and library: a show that reads the country while it wears it. The digital reading campaign is stitched into the looks, QR codes opening portals in the middle of the clothes. Olympikus arrives treading firmly, celebrating steps that are resistance and celebration. The Brasil Show collection does not merely parade: it interprets, reinvents, and, like every good Brazilian story, mixes everything we are into a single visual soap opera. LED is modão. 

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Zé Takahashi/ Gustavo Scatena / Marcelo Soubhia / @agfotosite

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