Frecuencia Geométrica (2023), Christian Wloch

In the work In the work Frecuencia Geométrica (2023), Christian Wloch investigates the limits of sensory perception. Made of crystal acrylic, wood and a sound device, the installation proposes a reflection on space as a vibrational field, where light and sound work as forms of presence and expansion.

Shown at SP-Arte 2025 by the gallery steinART Contemporânea, the piece invites the viewer into a state of listening and deep observation. The geometric forms do not impose themselves; they reveal themselves gradually, as the body moves and the sound frequency acts on the space.

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Since the 2000s, Wloch has developed research that articulates art, science and consciousness. Trained in visual arts, multimedia and psychology, his work starts from the idea that reality is structured by fields of information. Art, in that context, becomes a tool of access to subtle dimensions, not illustrating but exposing structures that normally escape the eye.

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The work suggests an expanded time, where the artistic gesture is a means of inhabiting the invisible. Wloch does not seek to create spectacles, he builds experiences that quietly transform.

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