Desirée Solenberger investigates new media between body and 3D

The practice of Desirée Solenberger is organized around a direct question: how can movement be translated into visual language. Her works operate between typography, image, and interaction, with the body as a constant reference. Dance appears as a structure, guiding rhythm and repetition within graphic systems.

This starting point unfolds into a process that avoids rigid separations between the physical and the digital. Instead of proceeding directly from the screen, the artist introduces gestures, distortions, and material interferences. Error is not corrected, it is incorporated as part of the visual system.

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In recent works, three-dimensional forms observed in fashion are displaced into the typographic field. There is physical manipulation, followed by digital translation. The result does not seek precision. The image maintains tension, with noise, deformations, and visible instability.

This type of approach is part of a broader field of new media, where technology ceases to operate solely as a tool. The interest shifts to the language that emerges from this encounter. Interface, image, and movement begin to operate on the same plane.

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In Desirée's work, there is no attempt at closure. The projects remain open, close to a state of testing. More than resolving, the artist activates systems, allowing them to shift between body, image, and code.

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